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Marden Pond

Evaporations

Electronic Works for Choreography, Soundtrack, and Art Installation 1976-1996

Marden Pond’s “Evaporations” (1976-96) is an archival project showcasing the composers experimental music approaches that utilize synthesizers, electronics, and computer. These rare or unreleased tracks and demos were initially purposed for art installation, dance and theater , music exploration, and ambient listening experiences. Marden was artistically right beside his contemporaries of the Land Artist Movement of the Southwest during the 70’s, as he created soundscapes inspired by the vast and bizarre features of Utah. Some of the other work presented on this record was to inspire physical movement by use of unorthodox arrangements and percussive rhythms, juxtaposed with fleeting synth phrases and environmental textures.

Besides the two tracks included from Marden’s hyper rare 1980 private press LP “Castle Valley Impressions”, this collection of music is being presented on vinyl for the first time.

Compiled by Adam Michael Terry and Chase Estes

Cover Art: “Various water level and shoreline patterns of the Great Salt Lake 1976 - 1996”

Layout, cover design and painting by Chase Estes

© FOUNTAINavm 2022

 

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Marden Pond

Marden Pond is active as a composer, arranger, conductor, producer, author, and educator. He has taught music for nearly four decades, including positions at Saddleback College, Orange Coast College, Pepperdine University, the College of Eastern Utah, Utah State University Extension, Brigham Young University, Arizona State University, the University of Northern Colorado, & Utah Valley University (where he received the 2011 Faculty Excellence Award).

Dr. Pond holds advanced music degrees from the University of Northern Colorado and Arizona State University. He is the author of books and articles on music theory, digital & electronic music, music pedagogy, music education, jazz improvisation, music for theatrical dance, & music in the home. Marden has developed or been involved with teaching labs with a number of top Hollywood composers, including: Hans Zimmer, James Newton Howard, Bruce Broughton, Mark Isham, Dave Grusin, Christopher Young, Peter Golub, Harry Gregson-Williams, and Alan Silvestri.

The composer of music on over twenty recorded albums, Dr. Pond has also created music for jazz ensembles, symphony orchestras, choirs, the ballet stage, film (including the Emmy Award-winning film, The Shadow Of Light from Milestone Productions, with an energetic title track for big band), video productions, video laser disc, modern dance groups, & a wide variety of chamber, studio, commercial & recording ensembles, a substantial amount of innovative electronic music, commissioned arrangements, & even commercial jingles.

A prolific composer, Pond has over three hundred works listed in the ASCAP catalog, including jazz combo & big band compositions, historical works based on Americana, symphonies, cantatas, concert suites, commercial projects, and solo pieces. His works have been performed nationwide and recorded in Europe & the U.S. He has been named as Utah's Composer of the Year & honored with awards and commissions from ASCAP, the National Endowment for the Arts, Meet-the-Composer (New York), Ririe Woodbury Dance Company, the National Pony Express Association, the Entrada Institute, several colleges and universities, the Barlow Endowment for Music Composition, the Utah Statehood Centennial Commission, and the Utah Governor's Award for Contributions to International Understanding.

The Deseret News has called his music "electrifying" adding that Dr. Pond is an "artful and clever composer," and "a well-known composer with numerous commissioned works to his credit." Fanfare magazine notes that his compositions are "inventive and well-crafted." William Penn (CEO, producer, AUR Recordings/Publications) has exclaimed, "Hey, Marden Pond is a SUPER MAJOR TALENT -- WOW!!!!!!!!!!!!!!!!!" The Herald praises his music as "masterful and intricate work."

Dr. Pond won an Emmy award (2016) for "Utah's Sanctuary: Great Salt Lake." Marden Pond - composer, associate producer, concept.

 

TRACK LIST

 

A: 

1: Application Composition #3 (Precipitation) (1:18) 

2: Gebunge (2:32) 

3: Timeless (5:55) 

4: Kenbabwe (2:52) 

5: Windchime (3:39) 

6: Movie Moves (Part 1) (1:07) 

7: Horizons (2:22)

B: 

8: Lightgeist (10:13) 

9: Island in the Sky (3:13) 

10: Symteria (Tape 3) (1:54) 

11: Drum Machine (1:21) 

12: Ball (2:01) 

13: Evaporations (Synthesizer Composition #5) (2:24)

Liner Notes

 

A1 – Precipitation (Application Composition #3): composed in the Electronic Music Studios of Arizona State University, ca. 1975 on the Arp 2500 modular synthesizer.  The composer used this track in his application materials for his doctoral work at the University of Northern Colorado.

A2 – Gebunge (part 1): commissioned by the Barlow Endowment for Music Composition.  1992 Collaboration with choreographer Shirley Ririe for the Ririe/Woodbury Dance Company.  Instruments included the Kurzweil K-1000, Ensoniq Mirage, and modules from Korg, Peavey, Yamaha, and Roland.  Also included in the album, Footnotes.

A3 – Timeless: from the 1986 cassette album, Kinetic Variations.  Created using the Casio CZ-101.

A4 – Kenbabwe: from the 1996 album, Environments.  Sound sources included the Kurzweil K-1000, Ensoniq Mirage, Yamaha TX 81z, and modules from Korg, Peavey, and Roland.  

A5 – Windchimes: from the 1996 album, Environments.  Featuring sounds from the Kurzweil K-1000 and Ensoniq Mirage.

A6 – Movie Moves (part 1).  Composed for the Ririe/Woodbury Dance Company (ca. 1983) using the Casio CZ-101 with muted trumpet played by the composer.

A7 – Horizons: (background information unavailable).

B1 – Lightgeist: commissioned by the Young DanceMakers in 1991 for the International Year of the Child.  Choreographed by Kathie Debenham and Christine Ollerton.  Instruments included the Kurzweil K-1000, Ensoniq Mirage, and modules from Korg, Peavey, Yamaha, and Roland.  Also included in the album, Footnotes.

B2 – Island In the Sky: created for the 1980 record album, Castle Valley Impressions. Created using the Synthi AKS, Multimoog, and PAIA 4700/S synthesizers.

B3 – Symteria: from the Ririe/Woodbury laser disc production (ca. 1989), Teaching Dance Improvisation, funded by the National Endowment for the Arts Artist in Education program.  Created using the ESQ-1 and Mirage from Ensoniq.

B4 – Drum Machine: (background information unavailable).

B5 – Ball: from the Ririe/Woodbury laser disc production (ca. 1989), Teaching Dance Improvisation, funded by the National Endowment for the Arts Artist in Education program.  Created using the ESQ-1 and Mirage from Ensoniq.

B6 – Evaporation (Synthesizer Composition #5): composed in the Electronic Music Studios of Arizona State University, ca. 1975 on the Arp 2500 modular synthesizer.