Interpreted Landscapes features works inspired by artists who create unique and varied approaches to the long-standing tradition of landscape. We are thrilled to announce our recent collaboration with guest artist and experimental musician Adam Michael Terry who has scored a soundscape for this exhibition.⁠
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​Terry's soundtrack creates an atmospheric experience scored for our virtual exhibition which will go live this coming Friday, June 19th.

Artwork pictured here by Michael Namingha: Altered Landscape #5; digital c-print face mounted to shaped acrylic edition of 3 #1/3, 20 x 17 x 1 in. Artists worksavailable at Modern West Fine Art .

Altered Landscape #5; Artist works available at Modern West Fine Art

About the Artwork: The Altered Landscape series was inspired by a sunset I saw in NYC last year that was made up of intense reds and yellows. The effect was caused by fires in Canada. I started to look at how our environment is affected through climate change and creating unnatural colors. Additionally here is a description of the Black Place Series: I began to create this series in the spring of 2017 for an exhibition at the Georgia O'Keeffe Museum in Santa Fe, NM. I started to explore the landscape that Georgia O’Keeffe called the ‘Black Place,’ first through satellite images of the area. I discovered through these images the amount of natural gas and oil infrastructure that oil companies had made in the surrounding area. In April of that year I ventured to the site of “Black Place” with the curators Carolyn Kastner and Cody Hartley. I took my drone with me to photograph the region as well as to take video footage. Upon arrival I realized just how fragile this landscape is and the drone provided a way for to see the area up close and personal without having to disturb it. The area is very otherworldly and foreign. These images provide the viewer with an abstracted composition which is how I first encountered O’Keeffe’s depiction of “Black Place.” The skewed perspectives in the pieces were inspired by having seen opera set design, and I noticed how set designers skew the set to trick the eye. I want to take that same approach to a two-dimensional image of a photograph. The colors in the pieces relate to what is currently happening in the region that surrounds “Black Place.” About three years ago NASA discovered the largest methane gas cloud in North America in this area. The satellite images of the cloud show up as red and hot pink. On my visit to the area I encountered many yellow poles sticking out from the ground along the road, these markers indicate where a pipeline is located underground. In pieces where I used black to hide the image I used this to represent a piece of the landscape that may not be there someday.