Fantasy Canyon Pt.1 by Adam Michael Terry
New single and multi media art work from Adam Michael Terry, “Fantasy Canyon Pt.1” is a mythological soundscape with a percussive foot-trail that guides you through synthesizer crevices, woodwind hoodoos and archaic bassline phrases.
A pre-conceived multi media work, Fantasy Canyon was completed with medium format photography to picture score the music. The esoteric canyon is located in the middle of the remote desert and desolate oil fields of Vernal, Utah. Shapes of sounds and melodic phrases combo and complement each other, stringing together a syntax of fantasy and reality... synthetic and acoustic.
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Digital Download of the Lloyd Miller "At the Ends of the World" with Ian Camp and Adam Michael Terry album. In MP3 format with option to receive free WAV files as well.
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This 4track recorded project is inspired by adventure trips into the wilderness regions of Utah and Arizona, and exploring the skateparks in these remote areas. Combining synthesizers, and live instruments with a “Nu Age” approach. Includes free digital download code.
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CREDITS
Released February 24th, 2019
All instruments performed by Adam Michael Terry
Produced by Adam Michael Terry
Digital + Physical Release by @fountainavm.
Digital Download includes both MP3 and WAV file.
New single and multi media art work from Adam Michael Terry, “Fantasy Canyon Pt.1” is a mythological soundscape with a percussive foot-trail that guides you through synthesizer crevices, woodwind hoodoos and archaic bassline phrases. A pre-conceived multi media work, Fantasy Canyon was completed with medium format photography to picture score the music. The esoteric canyon is located in the middle of the remote desert and desolate oil fields of Vernal, Utah. Shapes of sounds and melodic phrases combo and complement each other, stringing together a syntax of fantasy and reality... synthetic and acoustic.
Digital Download of the full album.
Interpreted Landscapes features works inspired by artists who create unique and varied approaches to the long-standing tradition of landscape. We are thrilled to announce our recent collaboration with guest artist and experimental musician Adam Michael Terry who has scored a soundscape for this exhibition. VIEW THE EXHIBIT @ MODERN WEST
Artwork pictured here by Michael Namingha: Altered Landscape #5; digital c-print face mounted to shaped acrylic edition of 3 #1/3, 20 x 17 x 1 in. Artists worksavailable at Modern West Fine Art .
DIGITAL DOWNLOAD. Includes both MP3 and WAV file.
This single is from the soon-to-be-released “Lloyd Miller At the Ends of the World” album, a nine track world jazz journey.
From the liner notes:
We begin the migration from the Near - East to the influences of the Far - East with this song. “Bassmeant Blues at the Apocalypse” transitions these modes nicely as the [record’s] B side begins with a meditative introduction on flute then slowly develops into a swingy jazz tune. This was the earliest song we recorded for At the Ends of the World, acting as yet another thesis statement for Lloyd’s jazz foundation and global sensibilities. Lloyd solos beautifully on the bowed dilruba over broken percussion, following with an Eastern - style flute solo as the bass line develops and cymbals begin to swing. Lloyd’s piano eventually leads you to Ian’s bluesy, yet sophisticated, koto solo - landing you feet - down in the Far East.
Recording this track down in Lloyd’s basement was like a surreal nostalgia for some primitive future. His half - century old, live jazz posters and pictures from around the world, all boasting his name and lining the walls. World instruments piled up around us next to his self - canned food storage; I felt like we were playing live in some funky fallout, a dystopian speakeasy on the other side of time and the world - where people gathered not to secretly drink, but to indulge in a music forbidden by the pop dictators of the world. “The Apocalypse” might as well been the name of this imaginary night club. A dark and dusty hole in the ground where we worshipped and played this pestilent blues fusion.
Lloyd Miller - Piano, Flute, Dilruba
Ian Camp- Bass, Koto
Adam Michael Terry - Drums, Percussion, Congas
This 4track recorded project is inspired by adventure trips into the wilderness regions of Utah and Arizona, and exploring the skateparks in these remote areas. Combining synthesizers, and live instruments with a “Nu Age” approach.
Listen Here >>
CREDITS
Released February 24th, 2019
All instruments performed by Adam Michael Terry
Produced by Adam Michael Terry
Digital + Physical Release by @fountainavm.
This much-anticipated LP expands upon Miller's famous Persian and Far Eastern Jazz into territories of New Age, Modern Classical, Ambient, and even hinting at Psych-World Folk. We are proud to expand Lloyd's already massive music pallet over the decades and anticipate his fans around the world to be pleased to hear familiar stylings as well as some new ideas. Limited pressing of 500 copies.
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Vinyl comes with an insert of the liner notes, pictures, a story of the making of the album and a free download code of the album to be redeemed at fountainavm.com.
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LISTENERS ALSO LOVE*
Alice Coltrane, Sun Ra & His Arkestra, Pharoah Sanders, Jon Hassell, Miles Davis, Evan Parker, Albert Ayler, McKaya McCraven, Mathew Halsall, John Zorn
*According to algorithms for Pandora, Spotify and others from the “Bassmeant Blues at the Apocalypse” Single.
Spotify Song Playlist here