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Jon Scoville

Running man music

Running Man is a collection of music written in the early 1990s for various choreography projects and was initially released on cassette. It came at a time when I was learning the outs and ins of recording for commercial use. Cassettes were the device of choice in that era — with both the pluses (a warm sound due, in part, to the analog tape medium and equipment requirements which were relatively inexpensive) -but also minuses (a pervasive hiss in the tape format which was ignored when the music was loud — as so much of it was in that era; and a very small surface on which to print both the bios of performers and the details about the tracks).

The world of vinyl was diminished considerably during the first appearance of cassettes, and with it went both the warm beauty of the analog sound and the large cover size, well-suited for both the memorable art on the cover and the details of who did what on which.

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Jon Scoville

Jon Scoville is an accomplished composer and dance accompanist, he has toured worldwide and accompanied many dancers. Scoville is the house composer for Tandy Beal & Company, which is run by his collaborator, muse, and spouse Tandy Beal.

Jon Scoville was, for 40 years, the music director of the Modern Dance program at the University of Utah. Additionally, he taught and accompanied in the U.S., Europe, South America, and Asia. His scores have been commissioned by Alwin Nikolais, Murray Louis, Tran Chan of Brazil, Laura Dean, the Oakland Ballet, the Pickle Family Circus, the Høvik Ballet of Norway, Compagnie Hors Taxes of Paris, the Ririe-Woodbury Dance Company, and various faculty in the dance program.

Jon is a recipient of a California Arts Council Composer’s Fellowship and grants from the Salt Lake Arts Commission and Santa Cruz Arts Council.

He is a co-author of Sound Designs, a book about the design and construction of musical instruments.

Liner Notes

 

The Bone People is based on the 1984 Booker Prize-winning novel of the same name, written by New Zealand author Keri Hulme. The novel’s magical realism tells a tale woven in Maori myth and New Zealand reality. The major themes are isolation, tribal heritage, violence, and redemption as related through the story of a mysterious child. The dance premiered in 1989 and was partially funded by a University of Utah Research Grant.

Bôca do Ceu is a series of musical snapshots of Brazil composed at the request of a film agent for a movie being shot in Rio and Bahia.

Neither Darkness Nor Science is A dance-based piece around the various illusions created by dancers and their shadows. The accompanying dance work was choreographed by Tandy Beal.

It Will Undo Him (Pity this Busy Monster Man) features vocals by Helen Craig, Wallace Stevens, EE Cummings, Cyril Cusack (James Joyce), Groucho Marx, and Tallulah Bankhead

Equipment used for this album include Yamaha DX7, Buchla 200 synthesizer, Emax 1 & 2

Mastering was by Ashwin Batish with additional mastering by Paulo Brandão Estúdio Brand, Rio de Janeiro.

Thanks: Phyllis Haskell, Bob Beede, Scott Wedge (Emu Systems), Paulo BrandãoThis record is the outcome of myself (Adam Michael Terry) reaching out to Lloyd Miller to see if he’d be interested in playing some live shows in Salt Lake City, Utah. This interaction would lead to us becoming pals and spending time together, talking about his unbelievable life, music, culture, religion, and as always, the current state of modern society.

 

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