Baroque Beats Cassette
Baroque Beats Cassette
A swan song to a Golden Era.
Listen Now >>
Two meticulously composed 30-minute suites of dusted lo-fi loops and beats, from the crates and MPC of Finale Grand. Sling side 29:36 | Sword side 28:32
Free Digital download with purchase. Find the digital version here Cassettes ship on or before March 15th, 2018.
Will you be in Salt Lake and want to pick up instead of have it shipped? Email us at info@fountainavm.com for a code to enter at checkout.
Nihimá Nahasdzáán, Kino Benally’s first release under his own name, is seen as a fond departure from his earlier work as DJ Béeso, with a shift from the Electronic/Club music of his past releases, to Nihimá Nahasdzáán, which is an intricate and layered conceptual piece with soundscapes and many moments of reverence for traditional Diné Musical Structure and Practice. The album title, Nihimá Nahasdzáán which roughly translates to, “Our Mother, Mother Earth,” gives Kino the proper space to give tribute to Ké’ or kinship and the complete interconnectedness of everything. Kino builds a home with each song describing an object, concept, or place in his world all while featuring many longtime collaborators and colleagues along the way.
In MP3 format with option to receive free WAV files as well.
If you have a free digital download discount code, add this to your cart and enter your code at checkout to get your personal download link.
This double LP album is Sourced from Miller’s personal archives of masters and personal recordings.
Limited pressing of 300 copies.
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Vinyl comes with an insert of the liner notes, pictures, a story of the making of the album, and a free download code of the album to be redeemed at fountainavm.com.
International Shoppers: Find a stockist in your region >>
LISTENERS ALSO LOVE*
Alice Coltrane, Sun Ra & His Arkestra, Pharoah Sanders, Jon Hassell, Miles Davis, Evan Parker, Albert Ayler, McKaya McCraven, Mathew Halsall, John Zorn
*According to algorithms for Pandora, Spotify and other streaming services
Original deadstock cassette of Running Man Music on cassette, packaged with a rare first-edition (used) copy of “Sound Designs”. Only 6 available.
Books vary in condition from Very Good to Fair.
Comes with a code for a free digital download.
Jon Scoville’s Running Man Music now reissued on Vinyl LP. Original Cassette Released 1990 by Albert’s Bicycle
**Disclaimer: For optimal audio performance and dynamics play this record with a light weighted tone arm.
This much-anticipated LP expands upon Miller's famous Persian and Far Eastern Jazz into territories of New Age, Modern Classical, Ambient, and even hinting at Psych-World Folk. We are proud to expand Lloyd's already massive music pallet over the decades and anticipate his fans around the world to be pleased to hear familiar stylings as well as some new ideas. Limited pressing of 500 copies.
Listen Now >
Vinyl comes with an insert of the liner notes, pictures, a story of the making of the album and a free download code of the album to be redeemed at fountainavm.com.
International Shoppers: Find a stockist in your region >>
LISTENERS ALSO LOVE*
Alice Coltrane, Sun Ra & His Arkestra, Pharoah Sanders, Jon Hassell, Miles Davis, Evan Parker, Albert Ayler, McKaya McCraven, Mathew Halsall, John Zorn
*According to algorithms for Pandora, Spotify and others from the “Bassmeant Blues at the Apocalypse” Single.
Spotify Song Playlist here
Digital Download of the Lloyd Miller "At the Ends of the World" with Ian Camp and Adam Michael Terry album. In MP3 format with option to receive free WAV files as well.
If you have a free digital download discount code, add this to your cart and enter your code at checkout to get your personal download link.
The super natural being and sound-reporter from the netherworld, White Squalor, returns again for the third straight year at sundown on Halloween. Offering reports and observations of the phenomena, madness, and horrific reality that is modern society.
The sonic investigative essay reads with an electro-exotica mysticism, tribal vibrations, and jazz infused rhetoric that bleeds optimism.
The work of White Squalor is ultimately to inspire positive change and peace upon this realm (dimension), that we inhabit.
This project is dedicated to those who have suffered to police brutality, systematic oppression and racism, hate, and from the Covid-19 pandemic. May 2021 usher in a paradigm shift of peace and love.
2:04 Sunrise
2:37 Breath
1:43 Sun
1:22 Dream
1:45 Endurance
3:21 For You
1:45 Hope
1:02 Water
3:18 Joy
1:35 Rain
2:40 Rivers
1:44 Evening
0:55 Unity
1:10 Sunset
Additional guitar, uke, percussion and effects by Tyler Van Der Stappen
Mastered by Andy Patterson
Cover Drawing is based on Antony Gormley's Sculpture Work.
FAVM 014
Cassette order includes a promo code for a free digital download.
A swan song to a Golden Era.
Listen Now >>
Two meticulously composed 30-minute suites of dusted lo-fi loops and beats, from the crates and MPC of Finale Grand. Sling side 29:36 | Sword side 28:32
Free Digital download with purchase. Find the digital version here Cassettes ship on or before March 15th, 2018.
Will you be in Salt Lake and want to pick up instead of have it shipped? Email us at info@fountainavm.com for a code to enter at checkout.
This 4track recorded project is inspired by adventure trips into the wilderness regions of Utah and Arizona, and exploring the skateparks in these remote areas. Combining synthesizers, and live instruments with a “Nu Age” approach. Includes free digital download code.
Listen Here >>
CREDITS
Released February 24th, 2019
All instruments performed by Adam Michael Terry
Produced by Adam Michael Terry
Digital + Physical Release by @fountainavm.
Get the Prom Ride T-shirt with the limited edition Prom Ride cassette, free digital download and Chromies. Now with Free Gum!
This tee pays homage to the first year of Critical Beatdown. Hand-drawn by Adam Terry (DJ Finale Grand)!
White is SOLD OUT
Digital Download includes both MP3 and WAV file.
New single and multi media art work from Adam Michael Terry, “Fantasy Canyon Pt.1” is a mythological soundscape with a percussive foot-trail that guides you through synthesizer crevices, woodwind hoodoos and archaic bassline phrases. A pre-conceived multi media work, Fantasy Canyon was completed with medium format photography to picture score the music. The esoteric canyon is located in the middle of the remote desert and desolate oil fields of Vernal, Utah. Shapes of sounds and melodic phrases combo and complement each other, stringing together a syntax of fantasy and reality... synthetic and acoustic.
Digital Download of the full album.
Interpreted Landscapes features works inspired by artists who create unique and varied approaches to the long-standing tradition of landscape. We are thrilled to announce our recent collaboration with guest artist and experimental musician Adam Michael Terry who has scored a soundscape for this exhibition. VIEW THE EXHIBIT @ MODERN WEST
Artwork pictured here by Michael Namingha: Altered Landscape #5; digital c-print face mounted to shaped acrylic edition of 3 #1/3, 20 x 17 x 1 in. Artists worksavailable at Modern West Fine Art .
Cape Blanco Mood Rings is Finale Grand’s most personal project. Inspired by some special moments spent up on the Northwest Coast of Oregon. Moody, Minimal, Lo-Fi and Introspective. Described as a travel log, and a road trip soundtrack for the ancient, beautiful, luscious, and rugged coastal highway 101.
DIGITAL DOWNLOAD. Includes both MP3 and WAV file.
This single is from the soon-to-be-released “Lloyd Miller At the Ends of the World” album, a nine track world jazz journey.
From the liner notes:
We begin the migration from the Near - East to the influences of the Far - East with this song. “Bassmeant Blues at the Apocalypse” transitions these modes nicely as the [record’s] B side begins with a meditative introduction on flute then slowly develops into a swingy jazz tune. This was the earliest song we recorded for At the Ends of the World, acting as yet another thesis statement for Lloyd’s jazz foundation and global sensibilities. Lloyd solos beautifully on the bowed dilruba over broken percussion, following with an Eastern - style flute solo as the bass line develops and cymbals begin to swing. Lloyd’s piano eventually leads you to Ian’s bluesy, yet sophisticated, koto solo - landing you feet - down in the Far East.
Recording this track down in Lloyd’s basement was like a surreal nostalgia for some primitive future. His half - century old, live jazz posters and pictures from around the world, all boasting his name and lining the walls. World instruments piled up around us next to his self - canned food storage; I felt like we were playing live in some funky fallout, a dystopian speakeasy on the other side of time and the world - where people gathered not to secretly drink, but to indulge in a music forbidden by the pop dictators of the world. “The Apocalypse” might as well been the name of this imaginary night club. A dark and dusty hole in the ground where we worshipped and played this pestilent blues fusion.
Lloyd Miller - Piano, Flute, Dilruba
Ian Camp- Bass, Koto
Adam Michael Terry - Drums, Percussion, Congas
Digital download of 消失する
by Ｆｉｓｃｈ Ｌｏｏｐｓ
1 ささやく
2 朽ちる
3 ｗｒｏｎｇ ＃
4 ＥＧＢＤＦ
5 パーティー ｂｕｔ
6 Ｂｌｏｏｄ Ｍｏｏｎ
7 ▲ ▲ 森林 ▲ ▲
8 【ｂｒｅａｋ】
9 Ｓｔａｒｔ Ｏｖｅｒ
10 無言の ｌｙ
11 鳥 Ｌｉｖｅ ｉｎ Ｍｙ Ｗａｌｌ
12 マウスクリック
13 Ｔｈｅ Ｅｎｄ ｉｓ Ｎｅａｒ
14 ほとんど
15 終わり
Astral Plains 4000 by Finale Grand was recorded live at Twilite Lounge in Salt Lake City, Utah
This 4track recorded project is inspired by adventure trips into the wilderness regions of Utah and Arizona, and exploring the skateparks in these remote areas. Combining synthesizers, and live instruments with a “Nu Age” approach.
Listen Here >>
CREDITS
Released February 24th, 2019
All instruments performed by Adam Michael Terry
Produced by Adam Michael Terry
Digital + Physical Release by @fountainavm.
A swan song to a Golden Era.
Two meticulously composed 30-minute suites of dusted lo-fi loops and beats, from the crates and MPC of Finale Grand
Listen Now >>
Sling side 29:36 | Sword side 28:32
"Loop Dots and Needle Drops" is an experimental live performance using solely 2-Technic1200 Turntables, 1-Pioneer DJM-400 mixer, a stack of 7" records, and a bunch of colored sticker dots. It was performed live in one 60 minute continuous "DJ set". Finale strategically places the stickers on the grooves of records to create his own broken record-needle skipping loops. By blending and mixing both records at once, while simultaneously applying effects and playing the mixer like an instrument, entirely new music is created. Finale utilizes his abilities of DJing, Turnatablism, Producing, and Percussion, while applying music philosophies from Jazz, Musique Concrete, Hip Hop, Dub, Ambient, and Minimalism.
MP3 Digital Download of the full album. Also available on iTunes, Spotify, Tidal, Google Play, Amazon etc for streaming.
WAV files upon request.
TABOOGALOO BY FINALE GRAND
New "experimental jazz" album by @finalegrand “TABOOGALOO" is a collection of basement tape recordings dating back to 2014, of synthesizers, live percussion, found sounds, repurposed media, electronics, analog equipment, song demos, improvisation, jazz, and subjective experimentations with the intent to dismantle process-routine and self tradition.
This was @finalegrand 's pallet cleansing proceeding the making of his classical-form HipHop Opus "Baroque Beats" circa 2013 , and would lead him into studying traditional live drumming soon after.
Digital Release by @fountainavm. Physical release undetermined.
Tracklist:
1 Dance of the 3 Headed Cobra 2:18
2 Turkish Turnstyles 2:25
3 Crotona Park Strut 2:49
4 Bitches Flu [Explicit] 2:12
5 The Sweetest Taboogaloo 3:07
6 The Watcher in the Woods 3:50
7 The Mirror in the Woods 1:24
8 Hard Bap Study #1 1:35
9 Free Bap Study #2 3:54
10 King Samo 1:36
11 The Promiss Land 1:59
12 Moroccan Basket Case 1:40
13 The Venom Circulates 4:57
"The Jewelist" released by FOUNTAINavm April 2019 on both cassette tape and for streaming anywhere you listen. Listen Here>>
Also on Cassette.
Hymns & Chants by Applegreen released by FOUNTAINavm May 2019 on both cassette tape and for streaming anywhere you listen. Listen Here>>
2:04 Sunrise
2:37 Breath
1:43 Sun
1:22 Dream
1:45 Endurance
3:21 For You
1:45 Hope
1:02 Water
3:18 Joy
1:35 Rain
2:40 Rivers
1:44 Evening
0:55 Unity
1:10 Sunset
Additional guitar, uke, percussion and effects by Tyler Van Der Stappen
Mastered by Andy Patterson
Cover Drawing is based on Antony Gormley's Sculpture Work.
FAVM 014
Campain by White Squalor
Materializing out of the American subconscious, the supernatural being White Squalor uses Jazz and Electronics to confront the horrific mayhem of American Society. Stream anywhere you listen or download now.
WHITE SQUALOR: COSTUME PARTY
Materializing out of the American subconscious, the supernatural being White Squalor uses Jazz and Electronics to confront the horrific mayhem of American Society.
On Bandcamp 10/31/18, Stream everywhere by mid-October.
CREDITS
Released October 31, 2018
All instruments performed by White Squalor.
Produced by Adam Michael Terry
Tracklist
1 Introduction to White Squalor 2:33
2 White House on Wheels 3:43
3 Synagogue Bells 5:20
4 Deathrights 0:55
5 Faking News (Angles of a Psychopathic Mind) 15:05
Fisch Loops live "At Peasantries and Pleasantries" is a vapored out, original album/performance recording. The source beats were created by Fisch at home with the intent to perform, improvise and manipulate in a live setting, for the final recording.
Performed live at the record/tape boutique Peasantries and Pleasantries in Salt Lake City on national Tape Store Day 2019. In order to record these beats and song ideas live, Fisch created a primitive DJ set-up of two Sony Sport Walkmans, a miniature DJ mixer, and a Kaos Pad, all which fit nicely in a Vans shoes box. He recorded two different tapes of beat ideas, and DJ'd back and forth on the Walkmans, while reacting and affecting the music live.
This is side A of the cassette, which on side B features a live performance at Twilite Lounge of different original music, with the same process and approach.
CREDITS
released April 12, 2020
produced and performed by Fisch Loops
Kino Benally’s first release under his own name, is seen as a fond departure from his earlier work as DJ Béeso, with a shift from the Electronic/Club music of his past releases, to Nihimá Nahasdzáán, which is an intricate and layered conceptual piece with soundscapes and many moments of reverence for traditional Diné Musical Structure and Practice. The album title, Nihimá Nahasdzáán which roughly translates to, “Our Mother, Mother Earth,” gives Kino the proper space to give tribute to Ké’ or kinship and the complete interconnectedness of everything. Kino builds a home with each song describing an object, concept, or place in his world all while featuring many longtime collaborators and colleagues along the way.